Birds in Peril

 中文 Chinese translation

Last month I visited Nanjing and spent an afternoon with painter Guan Ce. He was active in the 1985 avant-garde art movement in China and recently exhibited in London’s Saatchi Gallery in a show curated by Gary Xu. Thanks to Gary for making the introduction for me and to Guan Ce for meeting me on short notice.

Guan Ce’s studio was on the 2nd floor of an automobile parts factory not far from the newly developed residential district where he lives and teaches. He showed me some mixed media paintings on paper that he had recently finished….he kept them casually in a large cardboard folder on the floor. He opened the folder for me and then went to get water to make tea.

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I’ve been in Beijing three months now, focusing on renewing connections with my main subjects. Since 1991 when I first filmed them, the academy-trained artists Xia Xiaowan and Su Xinping have become successful figures in the Chinese contemporary art world. They each had major retrospective shows this October—Su Xinping at Guangdong Museum of Art and Xia Xiaowan at Beijing Minsheng Art Museum. In both exhibitions, the curators wished to demonstrate the continuity of the artists’ personalities and artistic explorations already evident in their early work from the 1980s and ‘90s. Continue reading

Research Begins

September marks the end of summer and the beginning of a new season of work. Just in the last two weeks, I’ve attended a slew of art exhibit openings, begun conversations with old friends and new contacts, and noticed plenty of good art.

People do complain about the over-commercialization of the art world. I hear how market demands stunt the development of young talent and how the messy involvement of many different interests—sponsors, investors, curators, paid critics, entrepreneurs, the state, the academy, the gallery, the crowds—muddle artists’ visions. Nothing is simple or clean. There are tons and tons of art to see. And, tucked away between the atrocious items, there’s always something that deserves a second look.

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Fulbright Scholar

I’m privileged and grateful to have been selected by the J. William Fulbright Foreign Scholarship Board to participate in the 2015-16 Fulbright U.S. Scholar Program. The Fulbright research grant allows me to be on the ground, in country, on site in Beijing for nine months to explore the contemporary art world and to probe the complex environment that surrounds it. The research will inform and deepen the story to be told in my documentary film project.

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